Tag Archives: Candice Hopkins

Afterall, these years (2017-2018): A Spring of Kinship, Communitas, Comunidad

14th October 2021The Library of the FutureAfterall, Andreas Angelidakis, Candice Hopkins, Cecilia Vicuña, Charles Esche, Charles Stankievech, Chimurenga, documenta 14, Hannah Black, Lee Maracle, Lubaina Himid, Lucy Lippard, Pedro Lasch, Rebecca Belmore, Walter Mignolo, Wanda NanibushMinus Plato

Afterall Journal 43 Contents Foreword– Charles Stankievech Contextual Essays Dedicated to the Anishnawbekwe– Lee Maracle Coloniality is Far from Over, and So Must Be Decoloniality– Walter D. Mignolo Fish, Kin and Hope: Tending to Water Violations in amiskwaciwâskahikan and Treaty Six Territory– Zoe Todd Ethno-Futurism: Leaning on the Past, Working for the Future– Anders Kreuger Artists Lubaina Himid […]

Seeing Scores 5: Engulfed in Catholic Noise

10th October 2021The Library of the Futureaneducation, Bergamo Conference, Candice Hopkins, Catholic Noise, Curriculum Theorizing, Hearing Voices, Lawrence Abu Hamdan, Raven Chacon, Seeing Scores, The Politics of ListeningMinus Plato

Seeing Scores 4: Phrase/Word/Vocable/Tone, the space of sonic encounter as a space of subject-subject relation*

9th October 2021The Library of the Futureaneducation, Arnisa Zeqo, Bergamo Conference, Candice Hopkins, Clare Butcher, Curriculum, Curriculum Theorizing, Dylan Robinson, Hearing Voices, Raven Chacon, Seeing Scores, Sepake AngiamaMinus Plato

* Dylan Robinson Hungry Listening: Resonant Theory for Indigenous Sound Studies. Minneapolis/London: University of Minnesota Press, 2020, p. 15.

Seeing Scores 3: Word/Phrase, Sound Oliveros as a Sound

8th October 2021The Library of the Future, Uncategorizedaneducation, Bergamo Conference, Candice Hopkins, Curriculum Theorizing, Deep Listening, Hearing Voices, Pauline Oliveros, Raven Chacon, Seeing ScoresMinus Plato

Seeing Scores 2: Vocable/Word, F-F-F-Fire

7th October 2021Uncategorizedaneducation, Bergamo Conference, Candice Hopkins, Chariots of Fire, Curriculum Theorizing, Hearing Voices, Indigenous Fire Management, Ivor F. Goodson, Raven Chacon, Seeing ScoresMinus Plato

Seeing Scores 1: Tone/Vocable, Lisa R’s R

6th October 2021The Library of the Futureaneducation, Bergamo Conference, Candice Hopkins, Curriculum Theorizing, Hearing Voices, Lisa Robertson, R's Boat, Raven Chacon, Seeing ScoresMinus Plato

Facing the Monumental from Inside with Rebecca Belmore

31st August 2021UncategorizedCandice Hopkins, Rebecca Belmore, Wanda NanibushMinus Plato

I read something on Google Books yesterday (yes, a library ghost can also move through online bibliopias!) and, given what has happened to me since I died (a story for another time), it really pissed me off. It was a chapter in a book with the promising title Art and Activism in the Age of […]

Just Dropbox my Body

18th February 2021UncategorizedAboriginal Territories in Cyberspace, Andreas Angelidakis, Angelo Plessas, asinnajaq, Be Oakley, Biennale de L'Image en Mouvement 2018, Black Vernacular, Bonita Ely, Candice Hopkins, Dan-El Padilla Peralta, David Wojnarowicz, Dayna Danger, Demos, Demos Bar, documenta 14, Elysia Crampton, Facebook, Gender Fail, Gwangju Biennale, Internet Aesthetics, Keith Obadike, Koffler Digital, Lawrence Abu Hamdan, Like Wind on Rushes, Martine Syms, Mass Eeffect, Mata Aho Collective, Meriem Bennani, Miltos Manetas, My Blackness for Sale, My Body Does not exist, Parler Clair Radio, Paul B. Preciado, Paul Soulellis, Portrait of an Exhibition on Firefox, post documenta, Saturation, Second Life, Skawennati, STTLMNT, Taniwha Tales, The 7701 Files, The Gilded Gaze, The Parliament of Bodies, The Sound of Screens Imploding, There are Times and Places, Toronto Biennial, urgentcraft, Whisper into a HoleMinus Plato

Taking public matters into your own stained cybergloves again? – suppose the bearded sage avatar braying (to the tune of REM’s Everybody Hurts (sometimes/So hold on, hold on), whom the social media managers of Agorapulse canceled. With what qualifications? Do tell us the answer, great Trump fluffer Joshy, share your insight, discharged, no doubt, as […]

Links: NOTES: Elegy for Annie Pootoogook (1969–2016) by Candice Hopkins https://www.documenta14.de/en/notes-and-works/1053/elegy-for-annie-pootoogook-1969-2016- Links: ARTISTS: Sanja Iveković https://www.documenta14.de/en/artists/13552/sanja-ivekovic SOUTH Issue #9 (documenta 14 #4): Lost and Found by Susan Hiller https://www.documenta14.de/en/south/25219_lost_and_found CALENDAR: The Society of Friends of Halit: An homage to Pavlos Fyssas https://www.documenta14.de/en/calendar/25022/an-homage-to-pavlos-fyssas Links: PUBLIC EDUCATION: Interview with Narimane Mari https://www.documenta14.de/en/public-education/25831/interview-with-narimane-mari VENUES: Parko Eleftherias, Athens Municipality […]

The Gilding of Echo

9th December 2020Uncategorized10th Berlin Biennale, 11th Berlin Biennale, Àbadakone, Beau Dick, Candice Hopkins, Carnegie International, Claire Tancons, documenta 14, Echo is Golden, Emeka Ogboh, Geta Brătescu, Huguette Caland, Irena Haiduk, Isuma Tv, Jace Clayton, Jane Bowles, Joe Biden, Journey Beyond the Arrow, Kamin Lerchaiprasert, Khadim Ali, Kidlat Tahimik, Koyo Kouoh, Leaving the Echo Chamber, Léuli Eshrāghi, Like Wind on Rushes, Look for me All Around You, Making New Time, Maria Papadimitriou, Mattin, Miriam Makaba, Mohau Modisakeng, Nairy Baghramian, Ningiukulu Teevee, NIRIN Sydney Biennale, Omar Kholeif, Otobong Nkanga, Peter Friedl, Pope. L, Postcommodity, Rebecca Belmore, Regina José Galindo, Rick Lowe, Sharjah Biennial 14, Social Dissonance, Toronto Biennial, Tracey Rose, Victoria Square Project, Vivian Suter, Whisper into a Hole, Whispering Campaign, Zoe ButtMinus Plato

After some delay, what says the public? It’s Joe’s time! So now, at long last, the smooth transition of a backwards flow towards normalcy softens the bite of an increasing viral death toll, trimming the long nails of Trumpism…for now. But in the meantime, what can art do for US? Either draw a line in […]