Just Dropbox my Body

18th February 2021UncategorizedAboriginal Territories in Cyberspace, Andreas Angelidakis, Angelo Plessas, asinnajaq, Be Oakley, Biennale de L'Image en Mouvement 2018, Black Vernacular, Bonita Ely, Candice Hopkins, Dan-El Padilla Peralta, David Wojnarowicz, Dayna Danger, Demos, Demos Bar, documenta 14, Elysia Crampton, Facebook, Gender Fail, Gwangju Biennale, Internet Aesthetics, Keith Obadike, Koffler Digital, Lawrence Abu Hamdan, Like Wind on Rushes, Martine Syms, Mass Eeffect, Mata Aho Collective, Meriem Bennani, Miltos Manetas, My Blackness for Sale, My Body Does not exist, Parler Clair Radio, Paul B. Preciado, Paul Soulellis, Portrait of an Exhibition on Firefox, post documenta, Saturation, Second Life, Skawennati, STTLMNT, Taniwha Tales, The 7701 Files, The Gilded Gaze, The Parliament of Bodies, The Sound of Screens Imploding, There are Times and Places, Toronto Biennial, urgentcraft, Whisper into a HoleMinus Plato

Taking public matters into your own stained cybergloves again? – suppose the bearded sage avatar braying (to the tune of REM’s Everybody Hurts (sometimes/So hold on, hold on), whom the social media managers of Agorapulse canceled. With what qualifications? Do tell us the answer, great Trump fluffer Joshy, share your insight, discharged, no doubt, as […]