Tag Archives: LEE LOZANO

We are currently in Nashville, on the road to Dollywood, and so we don’t have time to write a post today. (If you want to come along with us, from where you are, there is no better guide than our friend and fellow Classicist Helen Morales’ 2014 book Pilgrimage to Dollywood: A Country Music Road […]

Yesterday I visited the extensive Lee Lozano exhibition at the Reina Sofia which offered a generous selection of the full range of her work, from the monumental ‘machine’ paintings and the obscene Subway Series to her text Pieces and the Wave series. While walking through the exhibition, I initially thought of posting on Minus Plato about the […]

I HAVE BEEN THINKING ABOUT LEE LOZANO (HENCE THE CAPS) SPECIFICALLY HER DIALOGUE PIECE (STARTED APRIL 21, 1969) WRITE-UP, JUNE 12, 1969 HERE IT IS: (NOTE THE PLACE OF DIALOGUE; IT MAY BECOME SIGNIFICANT LATER) DIALOGUE PIECE HAS ALTERNATIVE TITLE: VERBALL AS LOZANO WROTE IN A NOTE IN VERSION IN HER NOTEBOOK “DEFINITION OF “DIALOGUE” REMAINS […]