[Requited Flame (RF) is a sequence of daily Minus Plato posts comprising a photo of wall-text, a slide-show of installation shots, short videos, and a space for future comments about artists included in the exhibition Àbadakone | Continuous Fire | Feu continuel: Indigenous Contemporary International currently on view at the National Gallery of Canada in […]

[Requited Flame (RF) is a sequence of daily Minus Plato posts comprising a photo of wall-text, a slide-show of installation shots, short videos, and a space for future comments about artists included in the exhibition Àbadakone | Continuous Fire | Feu continuel: Indigenous Contemporary International currently on view at the National Gallery of Canada in […]

[Requited Flame (RF) is a sequence of daily Minus Plato posts comprising a photo of wall-text, a slide-show of installation shots, short videos, and a space for future comments about artists included in the exhibition Àbadakone | Continuous Fire | Feu continuel: Indigenous Contemporary International currently on view at the National Gallery of Canada in […]

I have just returned from a flying visit to the incredible exhibition Àbadakone | Continuous Fire | Feu continuel: Indigenous Contemporary International at the National Gallery of Canada. While I will eventually write up an extended response, by way of preparation I will be using this blog to initiate a new series called Requited Flame […]

As the nightmare of the UK election unfolded, I headed to Beeler Gallery here in Columbus, Ohio for Instance No. 5 of Jo-ey Tang’s exhibition Follow the Mud – a screening of documenta 14 artist Michel Auder’s 1970 film Cleopatra amid an installation created by Michael Stickrod. I made a special Minus Plato edition for […]