Dear Yervant, This will be my last post to and for you. As I reach this point in tomorrow’s presentation to the audience of the Italian Cinema(s) Abroad conference, I am sure that I will be running out of time and the moderator will either have already or be about to hold up the ‘5 […]
Dear Yervant, I know it would be easier to follow-up on yesterday’s post about how Pays Barbare and its documenting of a ‘horrible normalcy’, itself and as part of the KEIMENA Public TV program, by directly addressing the question of fascism – then and now. In fact, you do so yourself in your voice-over, when […]
Dear Yervant, I am going to try to keep this post short, not only for our future audience at the Italian Cinema(s) Abroad conference, but also because I am grappling with some difficult news and my head is elsewhere right now. As promised yesterday, I will try to contextualize Pays Barbare within other films shown […]
Dear Yervant, I hope this finds you well. I realized that I was somewhat vague in yesterday’s post when I wrote about what would constitute a more “nuanced understanding of audience” for your contributions to documenta 14, specifically the screening of Pays Barbare as part of the Public TV program KEIMENA. Allow me to spend […]
Dear Yervant Gianikian, I hope this finds you well and you don’t mind me writing out of the blue. I am an Associate Professor in the Department of Arts Administration, Education and Policy at Ohio State University and I write this blog, Minus Plato as part of my research into the 2017 exhibition documenta 14, […]
While waiting at the Dubai International Airport after three whirlwind days at the opening of Sharjah Biennial 14 (hereafter SB14), I found myself idly looking back over my Instagram posts from the exhibition. Even though I had taken hundreds of photographs, videos and audio recordings of my experience at the exhibition, I had only shared […]
It is official, the next Documenta, to be held in 2022, has a new Artistic Director (or directors): the Indonesian artistic collective ruangrupa. (See here for the reports from ART News, Artforum and The Art Newspaper). This exciting announcement has a transformative effect on my ongoing project to examine the legacies of documenta 14 and […]
This coming Friday, February 22nd 2019, the Artistic Director for Documenta 15 (scheduled for 2022) will be announced (for more details – in German – go here). In preparation, let us look back to November 22nd 2013, to the moment that Adam Szymczyk was appointed Artistic Director for documenta 14. You can read the official […]
A belated happy new year to all our Minus Plato readers! I have been busy putting together The Minus Plato Library as well as creating a series of teaching projects related to art and education after documenta 14 and I am now ready to share them with you all. Stretching across two courses (Art Education […]
As promised in Wednesday’s post, here is the first part of the Black Athena Reloaded session from the documenta 14 public program The Parliament of Bodies: While the second session focused on the brutal slavery document, Le code noir, this first discussion engages the theme of ‘Ideas as Migrants – Our Common Ghosts’, and is […]