It is quite easy to show that abstract art like every other cultural phenomenon reflects the social and other circumstances of the age in which its creators live… …realistic space cracks and splinters into flat planes which come forward, parallel to the plane surface… Clement Greenberg ‘Towards a Newer Laocoon’ (1940) It is all well […]

A two-part exhibition opened yesterday in Frankfurt called Jeff Koons: The Painter & The Sculptor – the former in the Schirn Kunsthalle and the latter in the Liebieghaus Skulpturensammlung, until September 23rd. In both exhibitions, Koons offers his most sustained engagement with Classical Art to date with the his most recent work: the three-part Antiquity […]

I have recently returned from a whirlwind trip to Marfa, Texas – the home of the Chinati Foundation created by Donald Judd as a permanent site for his own work and that of, among others, Dan Flavin, John Chamberlain, David Rabinowitch and Ilya Kabakov. I am currently writing my next post about my visit, but […]

American artist and activist Paul Chan’s Phaedrus Pron, a ‘hyper-translation’ of Plato’s Phaedrus, is worth looking at. Here are thirteen ways you can get into it: 1. You can watch the trailer (yes, this book has a trailer): ****Viewer Discretion Is Advised****  2. You can listen to Chan reading an excerpt for you and here […]

To be avant-garde now is to be old fashioned This catch-phrase is taken from the article ‘Minus Plato’ by Brian O’Doherty, originally published in Art and Artists in 1966, and republished in Gregory Battock’s influential Minimal Art: A Critical Anthology two years later.     O’Doherty describes the emergent art of this time, later to […]