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Next month I am flying to Brisbane, Australia for a conference run by the Postclassicisms research network at Princeton University called ‘The Classical and the Contemporary’. I will be giving another presentation under the aegis of Minus Plato following my intervention at ICAN V (International Conference on the Ancient Novel) in Houston last Fall – […]

A belated happy 2016 to you all! It has been a late start for Minus Plato, but it is set to be a busy year ahead, so do watch this space. In addition to my regular posts on Classics and Modern/Contemporary Art, throughout 2016 I will also be documenting two exciting projects that explore the […]

Constantine Cavafy’s famous poem Ithaka transforms the singular event of Odysseus’ nostos to his home on the rugged island of Ithaka into a symbolic, repeatable experience epitomized by understanding what ‘Ithakas’ plural mean. Here is the final two stanzas of the poem: Ithaka gave you the marvelous journey. Without her you wouldn’t have set out. […]

David Boeno Alcibiade. 132. d. 1988. Le Site is the labyrinthine digital encyclopedia of French photographer and self-titled ‘neoplatonic copyist’ David Boeno, which was exhibited for the first time at the Dijon Consortium in 1998. It is an immense database of ancient texts in Greek, Latin, Hebrew and Arabic, ordered according to an incredible range […]

In my Classics 2220H: Classical Mythology/Contemporary Art class last week, each of the students delivered presentations that connected their exploration of myths of creation, love and art with individual art works from the exhibition Open This End: Contemporary Art from the Collection of Blake Byrne at the OSU Urban Arts Space here in Columbus. Leaving […]

Tomorrow I will be attending the 5th International Conference on the Ancient Novel (ICAN) in Houston, Texas and on Friday I will be giving my first public performance under the persona of Minus Plato. My performance – which is not an academic paper – will re-wire Apuleius’ Metamorphoses into the strange machine known as the […]

Sometimes a Minus Plato post needs to leave all discussion/explanation/analysis in the background and we should simply just admire what contemporary artists are capable of. Look, see. Richard Hawkins, Untitled (Slash/Twombly) (detail), 1992 Cy Twombly, Fifty Days at Iliam: Shades of Achilles, Patroclus, and Hector, 1978