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There is no original text, no “right,” perfect, whole object; we only have a broken bit of ceramic, mediated by centuries.  This is how Page duBois, in her book Sappho is Burning (complete with a Nancy Spero work on the cover), describes the potsherd that contains what we know of as Sappho fragment 2.  Here […]

Three years ago I taught the first manifestation of a Classical Mythology Honors course here at Ohio State that explored the dynamic between Classical Myth and Contemporary Art. At that time, the students encountered a range of artworks using the (then recent) publication Defining Contemporary Art: 25 Years in 200 Pivotal Art Works (Phaidon 2012). […]

SOCRATES But at this point I’m suffering an episode of brain fever, so to speak, and those who of their own free will go completely wrong in some way in fact seem to me to be more fitting persons than those who do so unwillingly. The blame for my present suffering I place on the […]

Opening this weekend is Paul Chan’s new exhibition Hippias Minor at the DESTE Foundation project space, the Slaughterhouse on the Greek island of Hydra. I have been honoured to have been a part of this exhibition in the form of the new book Hippias Minor or the Art of Cunning, published by DESTE and Chan’s […]

Post Credits: Title: from Roberto Bolaño ‘The Robot‘ from The Unknown University (New Directions, translation by Laura Healy), to read the whole poem, visit here.  Images: from visit to ARCHIVO BOLAÑO 1977-2013, Matadero, Madrid, April 2015, for more information, visit here. Disclaimer: for why these drawings are ‘pseudo’ Classical, read Bolaño’s The Savage Detectives and […]