You had expected to find Chris Marker’s The Owl’s Legacy somewhere at documenta 14, perhaps as a reference in one of the publications or mentioned in passing in a line of wall text, but not in the form of a usb key hanging from a piece of string. When you made an unplanned visit to […]
After yesterday’s post on Simone Weil’s Electra, I realized that I had not explained how my essay in progress related to the dynamic between Classics and Contemporary Art. All will be revealed in due course and, in the meantime, each of my posts this week will attempt to lead us there, and today is the […]