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It just so happens that I had been teaching Seneca’s Consolation To Helvia immediately before encountering the following text as part of one of Youmna Chlala’s light-box works on display at the new group exhibition Action at a Distance at the Angela Meleca Gallery here in Columbus. Everyone reminds you that exile is a group […]

I just returned from a quick visit north to Cleveland where I visited two brilliant exhibitions: Basquiat: The Unknown Notebooks at the Cleveland Museum of Art and Adam Pendleton: Becoming Imperceptible at MOCA. Jean-Michel Basquiat’s recourse to the ancient cultures of Greece and Rome is well-known and documented and it was exciting to explore up close […]

Tomorrow documenta 14 opens in Athens. Like the fifth book of Cicero’s On Moral Ends, I want Minus Plato to be the place that you can encounter Athens, its sites (such as the Temple of Olympian Zeus) and the artists’ work (e.g.Prinz Gholam’s My Sweet Country) through a far-away simulation and an imaginary dialogue. So, […]

Polemarchus: Hi dad, how are you? Thanks for sending the photos and videos of your visit to the Philippe Parreno Anywhen exhibition at the Turbine Hall. What did you think of it? Cephalus: It was alright. It didn’t fill the space sufficiently, the front of Turbine Hall was part of it, but only had lights […]

I hope you have all been enjoying your Apuleian holiday – it has definitely been a refreshing sojourn for me. While we were busy following that ass Lucius (@donkey30123?) and his exploits, there has been an opening and book launch in Athens that is right up Minus Plato‘s alley. The project is called Liquid Antiquity conceived […]

My show hasn’t been picked up yet—I’m still working on the pilot. It’s called She Mad. It’s a half-hour comedy about what it means to be an adult, set against the backdrop of the Los Angeles creative industry. It follows a young, ambitious black woman and her friends as they try to create the lives […]

The place is enclosed. Elements and spaces from different times in history lie next to each other with no chronological order or sign of origin. What is present are either physical adaptations of fictional and factual documents or existing things….The set of operations that occurs between them has no script. There are antagonisms, associations, hospitality […]

Recalling such disparate references as 1930’s fashion illustration, optical illusions, The Rolling Stones Goats Head Soup album cover, or the security patterns found inside of business envelopes, The World, by Seth Price, finds its initial source in a drawing created while working on his Folklore US project.