After yesterday’s post on Simone Weil’s Electra, I realized that I had not explained how my essay in progress related to the dynamic between Classics and Contemporary Art. All will be revealed in due course and, in the meantime, each of my posts this week will attempt to lead us there, and today is the […]
Tag Archives: Chris Marker
If, like me, you can barely contain your excitement for the opening of documenta 14 next year – first in Athens in April, followed by Kassel in June – then I recommend preparing yourself by reading the first three issues of South as a State of Mind – the Greek art and culture journal, which […]
Just before leaving Columbus in summer 2014 to spend a sabbatical year in Madrid, along with my partner, Rebeka, and our son, Eneko, I discovered that the french filmmaker Chris Marker contributed photographs to a little book on Homer, published in 1958 by Paris-based Éditions du Seuil (where Marker worked between 1954-8), as part of […]