Category Archives: Classics 2220H 2012

The presentations on the topic of ‘Origins & Creation’ in my class Classical Mythology/Contemporary Art were delivered on the following art works. Peter Fischli & David Weiss The Way Things Go, 1987Hans-Peter Feldmann 100 Years, 1996-2001Alighiero Boetti Map, 1989Sheela Gowda And Tell Him of My Pain, 1998-2001 Vija Celmins Untitled (Ocean), 1990-1995Damian Ortega Cosmic Thing, […]

It just so happened that a day or so after Vladimir Umanets (aka Wlodzimierz Umaniec) ‘defaced’ one of Mark Rothko’s 1958 Seagram murals at the Tate Modern in London, I taught the latest Classical Myth/Contemporary Art class on the topic of Objects vs. Ideas: Conceptual Art. While I had the below list of artworks to […]

For our second session of presentations in my Classical Mythology/Contemporary Art class (last Wednesday), the students focused on the theme of ‘Heroes & Villains’ in the following art works: Gerhard Richter October 18, 1977, 1988Adrian Piper Cornered, 1988Rineke Dijkstra The Buzzclub, Liverpool, UK/Mysteryworld, Zaandam, NL, 1996-1997, 1996-1997Douglas Gordon and Philippe Parreno, Zidane: A Twenty First […]

On Monday in our Classical Mythology/Contemporary Art class, we had our first session of student presentations. Ten students discussed ten art works (listed below in no particular order) in relation to the theme of ‘War, Trauma & Homecoming’. They described the work and then considered how they resonated with the ‘Epic’ Myths we had been […]

We had our first discussion about Contemporary Art in my class Classical Mythology/Contemporary Art today and it was on the topic ‘Same as it ever was: Appropriation Art’. As part of the lecture, we looked at Sherrie Levine’s 1990 work La Fortune (after Man Ray): Sherrie Levine, “La Fortune” (After Man Ray: 4), 1990. Felt […]

The new Semester has (already!) started here at Ohio State and I am teaching a class called Classical Mythology/Contemporary Art. Now, unlike many of the essays in the illuminating recent volume of essays on this topic – Isabelle Loring Wallace and Jennie Hirsh (eds) Contemporary Art and Classical Myth (Ashgate, 2011) – my course is […]