In a similar gesture, Douglas Gordon’s Under Darkness, Between Shadows (2000), hovered over the city. I first heard rumours of this work in the 1990s, and included it in Justified Sinners (co-edited with Ross Birrell, 2002), an anthology surveying the archaeology of Scottish counter-culture, of which Gordon’s darkness marked an endpoint. ‘Under Darkness, Between Shadows’ is a proposal to […]