Architectural ruins and dematerialised art objects share their sense of potential with the archaeological traces of dùn (fort), suidhe (seats), temples, cup-and-ring marked rocks and shieling. These dark relics have offered poets and artists mytho-poetic conspectus to conjure new-and-yet-older Scotlands. For instance, the landscape installations, performances and projections created by Angus Farquhar’s NVA are ambitious projects that riff off […]