• A Curriculum of Imposters (Here & Now, There & Then, On & On)
  • A Ear Wah Soun?
  • About
  • Dispersion
    • Alliances
      • Cassandra Press
      • CREATE.
      • Houma Nation
      • Membrane Network
      • post documenta
      • waving goodbye (or hello) to the sun
    • Distribution
      • A Blade of Grass
      • Artist Op-Eds
      • Contemporary And (C&)
      • ATE Journal of Māori Art
    • Libraries
      • Potu faitautusi
        • COVID-19 REPORT 2021
      • The Empty Days Library
      • The Minus Plato Library
    • Unlearning
      • An Act of Reappearance: Gauri Gill at the CMA
      • Mask/Media
        • Mask/Media #1: Sites
        • Mask/Media #2: Stages
        • Mask/Media #3: Reflection
        • Mask/Media #4: Embodiment
        • South of Mask/Media
          • “Elections Change Nothing”
          • Bibliocaust
          • Double Gambit
          • Fair Trade Heads
          • Fourteen Poems
          • How to Write Painting
          • Keeping Score
          • Mask Silence, Silence Masks
          • Prayer to Masks
          • Resisting Extinction
          • Signals from Another World
          • Taci, anzi parla
          • The Indelible Presence of the Gurlitt Estate
          • The Mask of Language
          • To Be Beside of Oneself
          • Treaty and Protest
          • We Are Somatic Creatures
          • What Foundations Have Been Laid for Them
      • Requited Flame (RF) for Àbadakone
      • S.O.F.A.R. (Society for Ongoing and Future Artistic Redefnition)
        • S.O.F.A.R Retelling Works Audio Library
        • S.O.F.A.R. Sessions
      • This Class was an Artwork (Kant after Social Dissonance)
  • Exhibitionary
    • Collaborations
      • Alarm Clock Academy
      • An Erasure Drawing Class
      • If the Good is to be Good it must be Good everywhere
      • Mask-Faced Media
      • Our Local Debt of Time
      • Whisper (Pueblo) into a Hole
    • Exhibitions
      • Come Along With Me
      • Donald Lokuta: Plato’s Cave – Segal’s Studio
      • Myths of the Academy
      • Oh Mother Reader I Can Feel
      • Perictione & Sons
      • 조은영 Void Writing
    • Remote Projects
      • Our Ancient Group Material
      • Our Curriculum of Connections
    • Words & Images
      • A Blank Starting
      • A Room of Zoom’s Own
        • when all the dust has when all my dust has settled
      • Caryatids and the Patriarchy
      • Diabolical Dispersion, or, How to Get Ahead in the Arts
      • Echo is Golden
      • Mediating documenta 14
      • Screengrab Diary from a Barbarian Land (for Yervant Gianikian)
  • No Philosopher King
  • Our Library of the Future
  • Seeing Scores
  • Unfinished
    • Art.World.Ethics
    • dear fellow settler colonizer,
    • Empty Daybook
    • K’acha Willaykuna
      • Links
      • Newsletters
      • Readings
      • Survivance Stories
    • Parler Clair Radio
    • the gallery B side
    • We are missing a guest
    • Whisper into a hole
      • Whispered Reader

Book 10: Scandal in the Arena of Spectacle, Survival and Self-Performance

3rd April 2017Apuleius, Martine Syms, Minus Plato Today, The Golden Ass Instantly IllustratedApuleius, Martine Syms, The Golden Ass Instantly IllustratedMinus Plato

My show hasn’t been picked up yet—I’m still working on the pilot. It’s called She Mad. It’s a half-hour comedy about what it means to be an adult, set against the backdrop of the Los Angeles creative industry. It follows a young, ambitious black woman and her friends as they try to create the lives they want, and deal with the unrealistic goals they and society have set. It’s about futility and hope, individuality and community, privacy and fame. Its themes include survival, self-performance, and the idea that longing for pleasure is the only real pleasure. She Mad is a show about nowhere. Martine Syms

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