• A Curriculum of Imposters (Here & Now, There & Then, On & On)
  • A Ear Wah Soun?
  • About
  • Dispersion
    • Alliances
      • Cassandra Press
      • CREATE.
      • Houma Nation
      • Membrane Network
      • post documenta
      • waving goodbye (or hello) to the sun
    • Distribution
      • A Blade of Grass
      • Artist Op-Eds
      • Contemporary And (C&)
      • ATE Journal of Māori Art
    • Libraries
      • Potu faitautusi
        • COVID-19 REPORT 2021
      • The Empty Days Library
      • The Minus Plato Library
    • Unlearning
      • An Act of Reappearance: Gauri Gill at the CMA
      • Mask/Media
        • Mask/Media #1: Sites
        • Mask/Media #2: Stages
        • Mask/Media #3: Reflection
        • Mask/Media #4: Embodiment
        • South of Mask/Media
          • “Elections Change Nothing”
          • Bibliocaust
          • Double Gambit
          • Fair Trade Heads
          • Fourteen Poems
          • How to Write Painting
          • Keeping Score
          • Mask Silence, Silence Masks
          • Prayer to Masks
          • Resisting Extinction
          • Signals from Another World
          • Taci, anzi parla
          • The Indelible Presence of the Gurlitt Estate
          • The Mask of Language
          • To Be Beside of Oneself
          • Treaty and Protest
          • We Are Somatic Creatures
          • What Foundations Have Been Laid for Them
      • Requited Flame (RF) for Àbadakone
      • S.O.F.A.R. (Society for Ongoing and Future Artistic Redefnition)
        • S.O.F.A.R Retelling Works Audio Library
        • S.O.F.A.R. Sessions
      • This Class was an Artwork (Kant after Social Dissonance)
  • Exhibitionary
    • Collaborations
      • Alarm Clock Academy
      • An Erasure Drawing Class
      • If the Good is to be Good it must be Good everywhere
      • Mask-Faced Media
      • Our Local Debt of Time
      • Whisper (Pueblo) into a Hole
    • Exhibitions
      • Come Along With Me
      • Donald Lokuta: Plato’s Cave – Segal’s Studio
      • Myths of the Academy
      • Oh Mother Reader I Can Feel
      • Perictione & Sons
      • 조은영 Void Writing
    • Remote Projects
      • Our Ancient Group Material
      • Our Curriculum of Connections
    • Words & Images
      • A Blank Starting
      • A Room of Zoom’s Own
        • when all the dust has when all my dust has settled
      • Caryatids and the Patriarchy
      • Diabolical Dispersion, or, How to Get Ahead in the Arts
      • Echo is Golden
      • Mediating documenta 14
      • Screengrab Diary from a Barbarian Land (for Yervant Gianikian)
  • No Philosopher King
  • Our Library of the Future
  • Seeing Scores
  • Unfinished
    • Art.World.Ethics
    • dear fellow settler colonizer,
    • Empty Daybook
    • K’acha Willaykuna
      • Links
      • Newsletters
      • Readings
      • Survivance Stories
    • Parler Clair Radio
    • the gallery B side
    • We are missing a guest
    • Whisper into a hole
      • Whispered Reader

Book 9: The endless, incessant work of Human and other animals

2nd April 2017Apuleius, Human, Minus Plato Today, Pierre Huyghe, The Golden Ass Instantly IllustratedApuleius, Human, Pierre Huyghe, The Golden Ass Instantly IllustratedMinus Plato

The place is enclosed. Elements and spaces from different times in history lie next to each other with no chronological order or sign of origin. What is present are either physical adaptations of fictional and factual documents or existing things….The set of operations that occurs between them has no script. There are antagonisms, associations, hospitality and hostility, corruption, separation and degeneration or collapse with no encounters. There are circumstances and deviations that allow the emergence of complexities. There are rhythms, automatisms and accidents, invisible and continuous transformations, movements and processes but no choreography; sonorities and resonances but no polyphony….It is endless, incessant. Pierre Huyghe

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