Benvenuto Chavajay, 4’33 (John Cage), 2015, installation, dimensions variable. Courtesy the artist. Walter D. Mignolo notes: ‘Benvenuto Chavajay is a Mayan/Guatemalan visual artist or “artisto Mayo” (he said, because Mayan speakers have difficulties in pronouncing the Castilian “a”). If asked, he would possibly answer – with a certain degree of sarcasm – that he is more of a chunchero (slang for makers of useless objects) than an artist.’
Zak Group, Graphic Rendering of Scotland, in Solution 11–167: The Book of Scotlands by Momus, 2009, pp. 80–81. Courtesy the artist and Sternberg Press, Berlin
Britta Marakatt-Labba, Historjá (History), 2003–07, wool embroidery, print, appliqué on linen, 39 × 235 cm, detail. Courtesy the artist and University of Tromsø, Tromsø
Rebecca Belmore, Fringe, 2007, transparency in light box, 2.44 x 7.32 m. Installation view, ‘Plan Large’, Fonderie Darling, Montreal, 2007. Courtesy the artist
Yee I-Lann, Welcome, Horizon Series, 2003, black and white digital print on Kodak Endura paper, 45 x 45 cm. Courtesy the artist and Tyler Rollins Fine Art, New York
Maria Eichhorn, Unlawfully Acquired Books from Jewish Ownership, 2017, installation, dimensions variable. Installation view, Neue Galerie Kassel, documenta 14, 2017. Photograph: Mathias Völzke. Courtesy the artist and Mathias
Anri Sala, Intervista (Finding the Words), 1998, single-channel video and stereo sound, 26min, edition of 6+2 AP. Courtesy the artist and Ideal Audience International, Paris; Galerie Chantal Crousel, Paris; Esther Schipper, Berlin; Galerie Rüdiger Schöttle, Munich; and Marian Goodman Gallery, New York
