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Opening on January 20th (can’t think of anything else important happening that day…) at the Drawing Center is Amy Sillman’s new exhibition After Metamorphoses. It comprises an animated drawing (with soundtrack) that she made on the iPad inspired by the mythic tales of change, desire and power from Ovid’s Metamorphoses. While I need to wait […]

Tonight Blake Turner’s Manifesto Library published the Minus Plato Manifesto, which I posted in early December last year. But, more importantly, it published two other manifestos that are of more pressing concern than anything presented on this blog. First of all, the Mexican feminist Con Nosotras manifesto, translated by Rebeka Campos-Astorkiza, that calls for an […]

Today was my first time in the Wexner Center for the Arts after the end of the exhibition Leap Before You Look: Black Mountain College, 1933-1957. It was a strange experience as I’d lived with that exhibition in such an intimate way over the past few months. I taught two classes that inspired and engaged […]

Flicking through artist Ian Cheng’s book Live Simulations, I came across the following description of his 2014 work Metis Suns: Pichaku [sic?] looked into her eyes and instantly understood her every molecule. But it wasn’t any special ability on his part: he was 85% idiot with humans. It was hers. She precisely caricatured her face, her […]

As Minus Plato continues on its daily posting schedule, I will be comparing how artists take up the task of creating work as or about daily activities and ancient philosophy as a way of life. As Pierre Hadot has discussed throughout his work,  ancient philosophers wrote ‘spiritual exercises’ which acted as hypomnemata (memory aids) – […]