Vuk Who? Classical Canonicity, Mass Effect and Rhizome’s Net Art Anthology
After yesterday’s rather extreme post that called for a “Classics without Antiquity”, aka the grounding of any engagement between Classicists and contemporary artists in the abandoning of antiquity (at least temporarily) by the former so as to better immerse themselves in contemporary debates, today I feel a palpable sense of responsibility to offer some kind … Continue reading Vuk Who? Classical Canonicity, Mass Effect and Rhizome’s Net Art Anthology
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