For his 1979 exhibition at The Kitchen in New York, as far as I can tell from installation views from the artist’s website, Troy Brauntuch showed only four works. As you walked in, you encountered the artist’s name besides a work that depicted what looks like the back of someone’s head, wearing some kind of … Continue reading White Statue asleep in his Mercedes: Corporate Fascist Classicism in Troy Brauntuch’s 1979 Exhibition