Before housing Mattin’s Social Dissonance, the small room at the far end of Documenta-Halle was home to two expansive installations at two previous documentas: Pascale Marthine Tayou’s Game Station at Documenta 11 in 2002 and Nalina Malani’s In Search of Vanished Blood at dOCUMENTA (13) 2013. Looking at installation shots of these two works, you … Continue reading More Open than a Field: Creative Expansions of Enclosed Space