Did you experience a distinct sense of déjà vu (or, more accurately, déjà vécu) when you found Olaf Holzapfel’s Zaum (Fence), 2017 waiting for you in Athens? What did you think when confronted by this artist, which the Daybook tells us, ‘was born in a country that no longer exists, and whose coming-of-age involved crossing … Continue reading Alpha to Omega of Our Athens Nostalgia: F is for Fence