Every since visiting the Whitney Biennial last week I have made several attempts to write a Minus Plato post about my experience. After several false starts, I kept coming back to one work: Portal, 2017 by Deana Lawson. It is not that at the time of my visit this large photograph of a ripped leather … Continue reading Escaping Hades: Deana Lawson’s “Portal”, 2017 at the Whitney Biennial