Yesterday I visited the new exhibition at the Columbus Museum of Art – A Dangerous Woman: Subversion and Surrealism in the Art of Honoré Sharrer. It was a revelation and, as a Classicist, I was immediately struck by Sharrer’s feminist reworkings of Greek and Roman myths, often mediated by art historical predecessors. I am sure … Continue reading The Rape Corners: Honoré Sharrer as Arachne