Carmen Herrera Untitled, 1952. Museum of Modern Art. The Athenian is no Plaster-of-Paris man, nor cast-iron either, the exact equivalent of every other Athenian, as every Spartan was of every other stupid Spartan. Athens was not reproducing a pattern; she was not copying the ways of her neighbours, she was giving them an ideal; and … Continue reading Democracy Now: Carmen Herrera, Group Material and Cultural Participation