Ever since I watched it, I have wanted to write about Jean-Luc Godard’s 2004 film Notre Musique. Set in Sarajevo, it tells the story of two women – Olga and Judith – and debates ideas of violence, ethics, colonialism, the Other and the Israeli-Palestine conflict. The main reason that I obsessed over the film was … Continue reading Digital Truths: Weil’s Platonic Cinema (Part Two)