TAKE THE PRESSURE OF THE MACHINE OF THE BIENALE’S [SIC] AND GIVE OVER TO A DIFFERENT PROCESS. TOO MUCH INSTITIONALISATION. STOP. ALLOW THE DIFFERENCE. BE CONFUSED. IT’S HEALTHY. – Brook Andrew and Anthony Gardner ‘NIRIN WURRUNMARRA’ in ‘Art and its Worlds: Exhibitions, Institutions and Art Becoming Public’ (Afterall, 2021), pp. 68-79. Sydney March 12 to […]
Even now, in the memory, she dazzles, must be circled about and about. We may perceive her indirectly, in her effects on others … Ah, the dead, the unended, endlessly ending dead: how long, how rich is their story. We, the living, must find what space we can alongside them; the giant dead whom we […]
I didn’t go to Venice this year and so I missed Mark Bradford’s Tomorrow is Another Day at the US Pavilion. This means that these reflections are limited to the accounts of those people who I have spoken to who did see Bradford’s work in the flesh, as well as images and written accounts online […]
Mr. Bradford’s exhibition is not as explicitly political but shaped as a loose journey of self-discovery that can be read in mythological or biographical terms or, often, both at once. The mythological references first appear in a poem by Mr. Bradford hanging on the pavilion’s facade, written in the voice of Hephaestus, the Greek god of […]