Tag Archives: Plato

I am writing today in solidarity with everyone marching and fighting for bread and roses on this May Day. As a minor, Minus Plato protest, this post will highlight how recourse to a non-Christian mythic world aligns with feminist collective action. Floating golden triangles, bird-headed creatures and the sun landing on earth – these are just some […]

After reading How to See a Work of Art in Total Darkness last year, I was excited to read Darby English’s new book 1971: A Year in the Life of Color. (Prof. English also happens to be delivering the Ludden Lecture at Ohio State this afternoon). Following the introduction, the first chapter of this study of […]

I’m still dwelling on names and naming today and this leads me, inevitably, to the work of Josh Smith and his signature “name” paintings. Bob Nickas, in his book Painting Abstraction, describes these works as follows: The “name” paintings, composed with the letters that spell his first and last names, at first seem to identity their […]

I HAVE BEEN THINKING ABOUT LEE LOZANO (HENCE THE CAPS) SPECIFICALLY HER DIALOGUE PIECE (STARTED APRIL 21, 1969) WRITE-UP, JUNE 12, 1969 HERE IT IS: (NOTE THE PLACE OF DIALOGUE; IT MAY BECOME SIGNIFICANT LATER) DIALOGUE PIECE HAS ALTERNATIVE TITLE: VERBALL AS LOZANO WROTE IN A NOTE IN VERSION IN HER NOTEBOOK “DEFINITION OF “DIALOGUE” REMAINS […]

In 2010, Italian-Libyan artist Adelita Husni-Bey created a 5 monitor installation called Lethe as part of extensive research trips around Lake Como to uncover exact sites of partisan executions in the years leading up to 1945. While the history books vividly record the executions of Mussolini in this region in April 1945, this was also the […]

As part of the Art 4004/5005 Drawing Ideas course that I taught this semester with Suzanne Silver the students had a project in which they had to use copies of Plato’s Republic either as their sketchbooks throughout the course or as singular work of art (an altered book project). I will explore the tension between […]

Today is the last day of Blueprints for a Past Future – an exhibition that brings together the work and ideas of Faculty and Students from this semester’s classes at Ohio State that engage with the radical educational and artistic experiment of Black Mountain College (during the run of the Wexner Center for the Arts […]