Tag Archives: Enrique Vila-Matas

This morning I passed through the pages Philip J. Deloria’s Becoming Mary Sully, looking past the names, for a word: ‘Gossip’. Beyond the above image, there was nothing written there or here online about this work or word by Sully and so I took another – well-worn – route, back to documenta 14. Here is […]

In The Illogic of Kassel, Enrique Vila-Matas never warms to the role he was invited to play at dOCUMENTA (13), as ‘Writer in Residence’ at a Chinese restaurant on the edge of Karlsaue Park. He spends the majority of the novel attempting to escape this role, including the invention of a fictional writer to go […]

When I take students to Rome, I try to get them to to visualize the immense scale of what the Temple of Jupiter Optimus Maximus must have looked like on the Capitoline Hill by asking them to imagine a ‘Pantheon in the sky’. According to our typical itinerary, we would have seen the Pantheon the […]

You had meant it as a brief stop on the way to somewhere else, but it ended up being the story of your day and perhaps your whole visit. Your main destination was the Benaki Museum Pireos Street Annexe, but you wanted to plan a route via quick visits to the Museum of Islamic Art […]

Yesterday at the Guggenheim Bilbao I saw Pierre Huyghe’s remarkable 2014 film Untitled (Human Mask). It stars the monkey Fuku-chan (who came to fame in a YouTube video that depicts her working as a waitress north of Toyko) dressed in a mask and wig waiting impatiently in an abandoned restaurant. Set and filmed in 2011, […]