Category Archives: Uncategorized

In the recent issue of Artforum, I just read an interview with Christine Macel, the curator of the 57th Venice Biennale, in which she described a key concept of the exhibition (called Viva Arte Viva): I’m very interested in the tension in the artist’s life between production and self-reflection, moments of otium, to use the […]

I am writing today in solidarity with everyone marching and fighting for bread and roses on this May Day. As a minor, Minus Plato protest, this post will highlight how recourse to a non-Christian mythic world aligns with feminist collective action. Floating golden triangles, bird-headed creatures and the sun landing on earth – these are just some […]

Every since visiting the Whitney Biennial last week I have made several attempts to write a Minus Plato post about my experience. After several false starts, I kept coming back to one work: Portal, 2017 by Deana Lawson. It is not that at the time of my visit this large photograph of a ripped leather […]

I just read Mirela Baciak e-flux post Footnotes from Athens which begins as follows: I spent four weeks in Athens starting in early February 2017. I conducted thirty interviews with people, some of whom have been living in Athens and working in the field of art for at least a few years, and others who, […]

Goldsmith records the following source-less entry early in his “Antiquity”: On an Upper East Side roof top in 1956 a Greek nymph, clutching her lyre as she surveys the city, her terrace is a chapel, sacred to a Mediterranean cult of physical delectation.NJ I was unable to find an image of this rooftop numph, so […]

The same architect firm who designed the penthouse Greek temple on Wall Street, McKim, Meade & White, also created the General Post Office on 8th Avenue. According to Meyer Berger’s New York (p. 202) it was William Mitchell Kendell, senior architect at the firm, who translated a passage from Herodotus to make the comparison between […]

Here in Columbus, at the Center for Epigraphical and Palaeographical Studies at OSU, we celebrated the opening reception of VOID WRITING – an exhibition by 조은영 (which I blogged about a few days ago). As part of the exhibition of five of Choey’s monumental hanging pieces, the curator of the Center, Wendy Watkins, selected some […]

A few weeks ago my friend and OSU colleague Erica Levin told me about Juan Downey’s 1973 video installation Plato Now, which was re-staged in 2012 during the inaugural program at the Tanks in the Tate Modern. The Chilean artist had moved to New York in 1969 and first performed this work at Circuit: A […]

Today at 4pm the exhibition Come Along With Me will close after over two and a half months. The unusually long run of the exhibition allowed for the planning of numerous group visits, workshops and other initiatives, many of which were documented in the catalogue for the exhibition. In spite of this long run and […]

It is hard to write about any exhibition from a distance, let alone one as ambitious, expansive and rooted in its immediate contexts as documenta 14. So, until I get to Athens in early June, Minus Plato will limit itself to reacting to reports from those who have been lucky enough to experience it firsthand. […]