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| You are the Weather, 1994-1996. |
speaks of the process of consciousness, of the physical dimension and its transcendence, which goes beyond concrete things.
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| Else 11, 2010 |
feature a succession of twists and turns, stops, changes and contacts that do not follow a pre-established pattern.
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| Her, Her, Her and Her, 2002. |
she finds an ideal space in which to develop her work
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| You are the Weather, Part 2 (partial view), 2010-2011. |
close inspection reveals tiny numbers, which refer to footnotes containing musings
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| White Dickinson I THINK OF YOUR FOREST AND SEA AS A FAR OFF SHERBET, 2006. |
grave poetry acquires corporeal consistency, a disturbing presence, closed in upon itself. At the same time, the position of the sculptures, leaning against the wall, transmits a sense of precarious balance.
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| That XV, 1993-1994 |
a work in which the spectator completes a triangle by standing before two images that are identical, yet, at the same time, subtly different
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| But 1, 2013 |
transform into sculpture some lines written by
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| Enough 10, 2005 |
subtle creations invite spectators to sharpen their senses, to become immersed in silence, and to begin to grasp the tiny differences that
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| Dead Owl, 1997 |
lead us to question preconceived ideas